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Little Joe
9.3 out of 10 stars - 887 votes

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  1. release date=2019
  2. directed by=Jessica Hausner
  3. Jessica Hausner, Géraldine Bajard
  4. 1709 Votes
  5. summary=Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a very special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it 'Little Joe' but as it grows, so too does Alice's suspicion that her new creations may not be as harmless as their nickname suggests

 

This movie is a perfect example of what can be achieved on a shoe string budget when talent is leading the way. The story is simplistic and heart felt. Little Joe is actually a Hard 4 in craps. A Hard 4 is two twos. While Little Joe is commonly mistaken as any 4, being 3-1 or 1-3, it is exclusively the Hard 4. In the game of craps, it is slang for the number 3. Odds of rolling a 3 are 2/36, or 1/18. If a 3 shows on the come out roll, the Pass Line bettors lose and the Don't Pass bettors win.

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Starring: Andrew Rajan, Ben Whishaw, David Wilmot, Emily Beecham, Goran Kostic, Jason Cloud, Jessie Mae Alonzo, Kerry Fox, Kit Connor, Leanne Best, Lindsay Duncan, Phénix Brossard, Sebastian Hülk, Yana Yanezic Summary: Alice (Emily Beecham) is a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner Alice (Emily Beecham) is a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it ‘Little Joe. ’ But as their plant grows, so too does Alice’s suspicion that her new creation may not be as harmless as its nickname suggests. … Expand Genre(s): Sci-Fi, Drama, Horror Rating: Not Rated Runtime: 105 min.

Please play this at my Funeral. It's my heart and soul. Watch stream little joe 1. DC should only make Wonder Woman and Aqua Man Movies. Phase 2 of that Universe would be their love child. The Wonderful Aquamarine... Your current browser isn't compatible with SoundCloud. Please download one of our supported browsers. Need help? Watch stream little joe tv. Ohhhhhhh my gad.

Watch Stream little joe. Movies | ‘Little Joe’ Review: This Flower Can Dispense Joy, but It Has Demands Jessica Hausner’s new sci-fi film about a flower engineered to release a potent antidepressant evokes “Invasion of the Body Snatchers. ” Credit... Magnolia Pictures In a spotless laboratory-cum-greenhouse, dozens of blazing red plants thrive under the attentive eyes of a few folks in pale blue coats. The plants are flowers, but they don’t have petals; from their stems bloom long, undulating, spear-like tendrils. The flower’s developer, Alice, explains to her colleagues at Plantworks — a company preparing new product s for an upcoming market fair — that this special plant needs special care. One must not just water it, but talk to it. In return, its pollen will release a potent antidepressant. The flower will literally make you happy. Alice, played with vivid restraint by Emily Beecham (her performance earned her the best actress award at Cannes this year), brings a flower to her son, Joe (Kit Connor), after whom she’s named the plant. In a purple-lit room in their home, they look at Little Joe with awe. But Alice doesn’t quite know how to deal with her son when the plant’s happiness-dispensing starts to change him. Directed by the Austrian filmmaker Jessica Hausner with a detachment more professorial than wry, “Little Joe” manages to exert a peculiar pull in spite of being constructed with material you’ve likely seen elsewhere. There’s the strange stuff that happens at Plantworks, for instance, like the friendly dog who inadvertently spends the night in the flower lab and emerges unfriendly. Around that time, Alice’s colleague, Chris ( Ben Whishaw), expresses romantic feelings for Alice, but then becomes more concerned with the well-being of Little Joe. Later, Alice faces accusations of ignoring virus protocols in developing the plant, but before she can even get defensive about it, the issue is shrugged off. Hmm. The movie’s story line, concocted by Hausner and Géraldine Bajard, recalls that of the much-remade classic “Invasion of the Body Snatchers, ” in which emotional humans are replaced by unfeeling drones hatched from pods. The droll joke of “Little Joe” is that it frequently looks and feel like a “Snatchers” reboot as directed by a pod person. The tone is locked in with Alice’s own coolness. Hausner frequently frames shots with Kubrick-evoking one-point perspective. She uses lenses that make the distances between two people sitting in an ordinary-size room look enormous. The deliberateness of the styling makes the story’s predictability feel more like inexorability. The events may be familiar, but their stagings are unusual and often uncanny. The novelist Vladimir Nabokov once mocked professors, and, by extension, other critical types, who approached art works with the question: “What is the guy trying to say? ” “Little Joe” frequently invites the question for the deliberate purpose of resisting any answers. Is the movie a satire on Western society’s arguable overreliance on psychotropic drugs? Maybe. But the film also suggests a potentially metaphysical dimension. “Who can prove the genuineness of our feelings? Moreover, who cares? ” one character asks when disputing the idea that Little Joe’s control over its owners is something to be frightened of. When such concerns of authenticity are put aside, what is our ideation of humanity left with? That’s a scary thought. Little Joe Not rated. Running time: 1 hour 45 minutes.

Watch Stream Little joe satriani. This looks awesome but it will definitely be shit. Two of the greatest Tejano artists: Flaco Jimenez and Little Joe. J essica Hausner’s Little Joe is one of the most keenly anticipated movies here in Cannes. This brilliant director from Austria has a fascinating body of work – her Lourdes (2009), a mysterious, challenging film about miracles, has a claim to the status of modern classic. But I was disappointed by this new film, her first in English. It’s a quasi sci-fi chiller about people’s behaviour and language being creepily altered; perhaps its numb weirdness is down to a director with no instinctive feeling for the English language. But it’s a fascinating looking film, shot in a cold, clear, crisply refrigerated style that provides an exhilaration of its own. Emily Beecham (from the recent British indie film Daphne) stars as Alice, a workaholic scientist who is developing a top-secret strain of genetically engineered plant whose microbial scent will make people happy. She is divorced and has a school-age son called Joe (Kit Connor). Among her colleagues is Chris (Ben Whishaw), who may well be in love with her, and Bella (Kerry Fox), an older scientist who has just recovered from a breakdown and is permitted to bring her dog to work, wittily named Bello. Soon Alice starts breaking the procedural rules about what she is allowed to do to accelerate the plant’s development. She even brings one home and names it “Little Joe”, a plant with fine, spiky red fronds that stir like the jaws of a venus fly trap. And yes, it starts having an effect on people. But what sort of effect? Wyndhamesque weirdness … Little Joe. Photograph: PR At first glance, this looks like a scary movie in a Wyndhamesque vein like The Day of the Triffids, or The Midwich Cuckoos (filmed as Village of the Damned). And the buildup is great: there are magnificent shots of football field-sized arrays of plants, all minutely shifting and stirring in the eerily controlled hi-tech greenhouse, like something in a documentary by Nikolaus Geyrhalter, who is a master of this sort of alienated-nature tableau. The scientists themselves, affectless and introverted in their white coats, add to the strangeness. What is going to happen? What skin-crawling developments are going to creep up on us? What denouement is going to scare us senseless? That remains an open question. It feels as if this movie is too grandly high on the arthouse register to bother with out-and-out thrills or suspense. And there are plot implausibilities that a humble genre movie might have ironed out at the script stage: would a high-level scientific research facility allow dogs in? And is it really possible to break in with just a stolen ID? The awful truth is that the plants don’t seem to be changing people’s behaviour in any obviously entertaining or scary way – or even in a clever one. The point seems to be that the affected people are perceived bizarrely to be impersonating themselves, or that they will release urges that have been suppressed, such as Alice’s guilty desire to free herself of the bonds of parenthood. But none of this is represented in any compelling dramatic style, and the actors – all very talented and assured – have perhaps not had clear enough direction. It is a mood piece. Whose mood leads nowhere. • Little Joe screened at the Cannes film festival.

Para mi pass California. Great version; reminds me of the 60's in San Antonio, Texas. Jam on. Comment summary: blahblah GTA online blahblah. Watch Stream Little joe bar. Something went wrong, but don’t fret — let’s give it another shot. V'19 Jessica Hausner A/GB/D, 2019 Features, 105min, OmdU In ihrem ersten englischsprachigen Film navigiert Hausner stilsicher zwischen Psychothriller und Horrordrama. „Little Joe“ ist der Name einer genmanipulierten Pflanze, die in einem Bio-Labor eigens dafür gezüchtet wurde, um Menschen glücklich zu machen. Doch in der Umgebung der Biologin Alice (Emily Beecham, in Cannes mit dem Preis für die Beste Darstellerin ausgezeichnet) machen sich andere Nebenwirkungen der Pflanze bemerkbar. Ihr kleiner Sohn etwa kehrt sich immer mehr von ihr ab. Oder ist das sein normales Aufwachsen? Hausners Bio-Science-Fiction ist so kalt wie scharf beobachtet und dabei nicht ohne Humor, wenn auch von der tiefschwarzen Sorte. (Barbara Schweizerhof) In Anwesenheit von Jessica Hausner   und Martin Gschlacht  ( Kamera). Wouldn’t it be perfect to grow happiness in one’s home? Alice Woodard promises exactly that. She works at a corporation breeding genetically enhanced plants. Her newly-developed “Little Joe” model is promoted as a “mood-lifting happy plant”, although the effect doesn’t come for free. “What this plant really needs is love. ” Watering will not do with Little Joe. It requires stronger commitment. When Alice takes a prototype specimen home, where her pubescent son Joe is frequently alone, as his mother is a bit of a workaholic, things start to get eerie. Little Joe releases a substance that travels through the nose and straight into the brain. Alice may have gone too far with her manipulations: She conceived of Little Joe as sterile, unable to reproduce. “It’s not natural”, warns Bella, an older colleague. Nature lies strictly beyond the frame in Jessica Hausner’s rigidly detached lab thriller: This future of pervasive perfectability make for a special breed of inhabitants. Everything is discomfortingly stylish about this vision of a not-so-distant world: the costumes, the interior designs, the restrained acting. The strongest effect, though, is the soundtrack, based on works by the Japanese avant-garde composer Teiji Ito. (Bert Rebhandl) In the presence of  Jessica Hausner  and Martin Gschlacht  (camera). Jessica Hausner: FLORA (1995, K), INTER-VIEW (1999), LOVELY RITA (2001), HOTEL (2004), TOAST (2006), LOURDES (2009), AMOUR FOU (2014).

SYNOPSIS Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a very special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it ‘Little Joe’ but as it grows, so too does Alice’s suspicion that her new creations may not be as harmless as their nickname suggests. CAST Emily Beecham Ben Whishaw Kerry Fox Kit Connor Jessie-Mae Alonzo David Wilmont Phénix Brossard a. o. CREW Director  Jessica  Hausner Written by  Jessica Hausner, Geraldine Bajard Director Of Photography  Martin Gschlacht Edited by  Karina Ressler Costume Designer  Tanja Hausner Production Designer  Katharina Wöppermann Make-Up and Hair Designer Heiko Schmidt Sound Engineer  Malcom Cromie Sound Designer  Erik Mischijew, Matz Müller Re-Recording Mixer Tobias Fleig Producers Bruno Wagner, Martin Gschlacht, Jessica Hausner, Bertrand Faivre, Gerardine O'Flynn, Philippe Bober Executive Producers Heinrich Mis, Rose Garnett, Mary Burke, Vincent Gadelle, Marina Perales Marhuenda, Michel Merkt SELECTION FESTIVALS / AWARDS International Filmfestival Cannes 2019 Emily Beecham - Best performance by an actress ABOUT THE DIRECTOR Jessica Hausner born 1972 in Vienna, Austria auteur and producer + 1994 Jessica Hausner graduated from the Vienna Film Academy (direction). + 1999 she cofounded coop99 filmproduction together with Barbara Albert, Martin Gschlacht and Antonin Svoboda Filmography Little Joe (2019) Amour Fou (2014) Lourdes (2009) Toast (2006) - short Hotel (2004) Lovely Rita (2001) Inter-View (1999) - short Flora (1996) - short Sciene-Fiction, Drama | A, GB, D - in postproduction von / by Jessica Hausner Website Visit Site Trailer Visit Site
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Watch stream little joe video. Watch stream little joe band. Bonanza (Little Joe) whump cheatsheet (For whumpsadaisy, who is doing an awesome job writing whump records, and I have some so thought I’d share) S01-EP10. The Magnificent Adah - Badly beaten (offscreen), carried. S01-EP06. The Julia Bulette Story - Knocked out in fight, carried. S02-EP10. The Last Viking - Shot in shoulder. S02-EP27. The Gift - Dehydrated in desert, lasood and tied, rescued. S03-EP04. The Lonely House - Knocked out, beaten up. S03-EP08. The Friendship - Knocked out, wakes on sofa. S03-EP11. Day Of The Dragon - Shot in shoulder at end. S04-EP01. The First Born - Beaten and collapses, tended to, rides out again while hurt. S04-EP10. The Deadly Ones - Shot in the back, removed from bed too soon, tries to rescue Pa. S04-EP20. Marie, My Love - Fall from horse and knocked out. S04-EP28. My Brother’s Keeper - Shot by Adam and attacked by wolf. Wounded and feverish throughout ep. S04-EP29. Five Into The Wind - Injured wrist (offscreen), knocked out, fight with hands tied. S04-EP33. The Boss - Shot in the shoulder, sling for all ep. S05-EP04. Twilight Town - Knocked out, dehydrated in desert, rescued by townsfolk and tended to. S06-EP??. Between Heaven And Earth - Emotional angst, crying at end. S06-EP15. The Flapjack Contest - Knocked out (offscreen), rudely awoken in bed. S07-EP30. The Fighters - Beaten (offscreen), tended by Pa. S08-EP03. A Time To Step Down - Shot in shoulder at end. S06-EP26. The Trap - Shot at the end, carried away (ep ends there). S07-EP14. All Ye Saints - Knocked out, tended by hoss. S08-EP12. A Real Nice, Friendly Little Town - Shot in the butt!! Best opening scene ever - whumpy and hilarious. S08-EP14. Tommy - Shot in the back, carried. S08-EP22. Amigo - Beaten (offscreen? ) and tied, terrorised, threatened with death. S09-EP01. Second Chance - Shot with arrow in shoulder, feverish, collapses, carried. S09-EP03. The Conquistadores - Roped off horse and kidnapped. S09-EP06. False Witness - Shot in the leg, walks with crutch. S10-EP01. Different Pines, Same Wind - Beaten at end, Pa intervenes. S10-EP22. Five Candles - Crushed by wall, has ribs wrapped. S10-EP24. The Deserter - Knocked out (offscreen), dragged to others. S10-EP25. Emily - Shot in the back. S10-EP26. The Running Man - Shot in upper arm. S10-EP30. A Ride In The Sun - Horseless and dehydrated, shot? S11-EP10. A Darker Shadow - Shot in shoulder. S11-EP28. A Matter Of Circumstance - Trampled by horse; broken leg/crushed arm, alone for days with fever, gangrene. S12-EP06. Gideon The Good - Shot in leg, tended by stranger, fight. S12-EP08. Thornton’s Account - Thrown down hill and knocked out. S12-EP24. The Stillness Within - Blown up(! ), blinded. S13-EP03. Bushwhacked! - Shot in back and leg, found by strangers, then family. Feverish, smothered with pillow. S13-EP05. The Prisoners - Shot (glances head). S13-EP15. Warbonnet - Dehydrated in desert, falls down hill, knocked out, cared for by indian. S14-EP16. The Hunter - Dehydrated in desert, breaks and has to reset arm.

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He's not dead he's asleep. -Ryan Rynolds -Also CollegeHumor's Batman. Filmdaten Deutscher Titel Little Joe – Glück ist ein Geschäft Originaltitel Little Joe Produktionsland Österreich, Deutschland, Vereinigtes Königreich Originalsprache Englisch Erscheinungsjahr 2019 Länge 106 Minuten Altersfreigabe FSK 12 [1] Stab Regie Jessica Hausner Drehbuch Géraldine Bajard, Jessica Hausner Produktion Bertrand Faivre, Martin Gschlacht, Jessica Hausner, Gerardine O'Flynn, Bruno Wagner Kamera Martin Gschlacht Schnitt Karina Ressler Besetzung Emily Beecham: Alice Ben Whishaw: Chris Kerry Fox: Bella David Wilmot: Karl Leanne Best: Brittany Lindsay Duncan: Psychotherapeutin Sebastian Hülk: Ivan Goran Kostic: Mr. Simic Yana Yanezic: Mrs. Simic Andrew Rajan: Jasper Kit Connor Phénix Brossard Jason Cloud Synchronisation Little Joe – Glück ist ein Geschäft ist ein Science-Fiction- Drama und Psychothriller von Jessica Hausner, der am 17. Mai 2019 im Rahmen der 72. Internationalen Filmfestspiele von Cannes seine Premiere feierte und dort im Wettbewerb um die Goldene Palme konkurrierte. Emily Beecham und Ben Whishaw spielen die Hauptrollen im ersten englischsprachigen Film der österreichischen Regisseurin. Handlung [ Bearbeiten | Quelltext bearbeiten] Die alleinerziehende Mutter Alice Woodard arbeitet als Pflanzenzüchterin bei Planthouse Biotechnologies, einem Unternehmen, das sich mit der Entwicklung neuer Arten beschäftigt. Sie hat eine ganz besondere purpurrote Blume gezüchtet, die sie „Little Joe“ nennen und die sich nicht nur durch ihre Schönheit, sondern auch durch ihren therapeutischen Wert auszeichnet. Sie wurde für einen ganz besonderen Zweck entwickelt, denn sie soll Menschen glücklicher machen. Ihr Duft löst die Freisetzung von Oxytocin aus, was wiederum zu einem allgemeinen Wohlbefinden führt. Wenn sie bei der idealen Temperatur gehalten und richtig ernährt wird und man regelmäßig mit ihr redet, macht diese ihren Besitzer glücklich. Entgegen der Firmenpolitik nimmt Alice eine dieser Pflanzen als Geschenk für ihren Sohn Joe mit nach Hause. Doch mit dem Wachstum der Pflanze wächst auch Alices Verdacht, dass ihre neuen Kreationen möglicherweise nicht so harmlos sind wie geglaubt. Als die gentechnisch manipulierte Pflanze ihre Samen ausstreut, ruft sie damit unheimliche Veränderungen bei Mensch und Tier hervor. Die Befallenen wirken fremd und wie ausgewechselt, vor allem für die, die ihnen nahestehen. [2] [3] Produktion [ Bearbeiten | Quelltext bearbeiten] Martin Gschlacht, Jessica Hausner und Bruno Wagner (2020) Regie führte Jessica Hausner. Es handelt sich bei Little Joe um ihren ersten englischsprachigen Film. [4] Vom Österreichischen Filminstitut erhielt Little Joe eine Stoffentwicklungsförderung in Höhe von 15. 000 Euro und eine Produktionsförderung in Höhe von 600. 000 Euro [5], vom Filmfonds Wien eine Förderung in Höhe von 15. 000 Euro für die Projektentwicklung und eine Produktionsförderung von 350. 000 Euro [6], von FISA Filmstandort Austria eine Produktionsförderung von 580. 000 Euro und vom Medienboard Berlin-Brandenburg eine Produktionsförderung in Höhe von 150. 000 Euro. Weitere Mittel kamen vom BFI British Film Institute und Eurimages (Produktionsförderung in Höhe von 450. 000 Euro). Emily Beecham und Ben Whishaw sind im Film in den Rollen der Wissenschaftler Alice und Chris zu sehen, die in der Genforschung tätig sind. [4] Kerry Fox übernahm die Rolle von Bella, einer älteren Wissenschaftlerin, die sich gerade von einem Unfall erholt und ihren Hund Bello zur Arbeit mitbringen darf. [7] Lindsay Duncan spielt Alices Psychotherapeutin. [8] In weiteren Rollen sind David Wilmot, Sebastian Hülk und Leanne Best zu sehen. Die Dreharbeiten fanden zwischen 11. August und 9. Oktober 2018 statt. Gedreht wurde in Wien und Krems an der Donau, hier an der Karl Landsteiner Privatuniversität für Gesundheitswissenschaften, in Veiling Rhein-Maas, Deutschlands einzigem Auktionshaus für Blumen und Pflanzen, und im Großraum Liverpool. Als Kameramann fungierte Martin Gschlacht. Für das Kostümbild zeichnete Tanja Hausner und für das Szenenbild Katharina Wöppermann verantwortlich. [9] Ben Croll von The Wrap beschreibt Little Joe, die gentechnisch zum Leben erweckte Pflanze, einer riesigen Safranzwiebel ähnlich, wie sie von Dr. Seuss entworfen hätte sein können: „Sie ernährt sich von Liebe und Fürsorge und schenkt ihrerseits Glück, da sie zur Verbreitung des gleichen Hormons gezüchtet wurde, das frische Mütter mit ihren Kindern verbindet. Die Blume wirkt durch eine Art Gedankenkontrolle und produziert Pollen, die das Glücksgefühl aller steigern, die daran riechen. “ Das Ganze folge einer Dynamik wie aus dem Film Die Körperfresser kommen, wenn „Little Joe“ versucht, die Menschen um ihn herum zu beherrschen, allen voran seinen Namensgeber Joe, während sich seine Mutter Alice hiergegen wehrt. [10] Christoph Petersen von Filmstarts schreibt, auch wenn sich das Motiv irgendwann mit der Zeit abnutze, die Blumen zunehmend ihren hypnotischen Schrecken und die Bilder an Kraft verlieren, könne die absolut brillante Filmmusik dies zumindest ein Stück weit abfedern: „Die auf den 1982 verstorbenen japanischen Avantgarde-Komponisten Teiji Ito zurückgehenden kakophonischen Klangteppiche fahren direkt ins Mark und würden mit ihrem metallischen Jaulen wohl selbst Aufnahmen von mit Wollknäueln spielenden Katzenbabys hochgradig verstörend wirken lassen. “ [11] Der Film feierte am 17. Mai 2019 im Rahmen der Internationalen Filmfestspiele von Cannes seine Premiere, wo er im Wettbewerb um die Goldene Palme konkurrierte. Ende Juli und Anfang August 2019 wurde er beim Jerusalem Film Festival gezeigt. [12] Im September 2019 wurde er beim Fantasy Filmfest als Centerpiece gezeigt [13] [14] und im gleichen Monat im Rahmen der Filmkunstmesse Leipzig vorgestellt. [15] Anfang Oktober 2019 wurde er beim London Film Festival vorgestellt. [16] Der österreichische Kinostart erfolgte am 1. November 2019, [5] in Deutschland ist er für den 9. Januar 2020 vorgesehen. [17] Rezeption [ Bearbeiten | Quelltext bearbeiten] Altersfreigabe [ Bearbeiten | Quelltext bearbeiten] In Deutschland wurde er von der FSK ab 12 Jahren freigegeben, in Begleitung der Eltern jedoch bereits ab 6 Jahren erlaubt. In der Freigabebegründung heißt es, die Geschichte sei sehr zurückhaltend erzählt und erzeuge mit suggestiven Mitteln einen subtilen Horror. Die bedrohliche Atmosphäre und befremdliche Verhaltensänderungen von Hauptfiguren sowie Konflikte, die nicht leicht einzuordnen sind, könnten Kinder unter 12 Jahren irritieren und emotional überfordern, zumal der Sohn der Protagonistin sich als Identifikationsfigur für Kinder und Jugendliche eigne. [18] Kritiken [ Bearbeiten | Quelltext bearbeiten] Der Film stieß bislang auf gemischte Kritiken, so auf die Zustimmung von 69 Prozent der Kritiker bei Rotten Tomatoes. [19] In der bei Screen veröffentlichten Kritikerumfrage zu den Festivalbeiträgen in Cannes erhielt er 2, 3 von 4 möglichen Punkten. [20] Dominik Kamalzadeh vom Standard schreibt, der Film, der sich an Sci-Fi- Horrorklassiker wie Invasion of the Body Snatchers oder Little Shop of Horrors anlehnt, sei in dem schon charakteristisch zurückgenommenen, sanft ironischen Tonfall von Jessica Hausner gehalten, der auch Ungeheuerlichkeiten eine profane Note verleiht. Inszenatorisch sei Little Joe aus einem Guss: „Das ausgeklügelte Produktionsdesign, das außer der giftig roten Blume alles in eher kühle Farben taucht, das leicht befremdlich Spiel der Darsteller, die minimalistische Musik von Teiji Ito – all das verleiht dem Film eine genuin artifizielle Note. “ Hausners Augenmerk liege auf der Feinbeobachtung der Veränderungen, so Kamalzadeh, doch das Drehbuch sei nicht ganz auf der Höhe dieser Kunst. So würde bisweilen eine Spur zu viel von dem erklärt, was ohnehin die Bilder vermitteln, am Ende gehe das Spiel mit Mutmaßungen und Ahnungen aber schlüssig auf. [21] David Ehrlich von Indie Wire schreibt, Hausner sei eine der wenigen zeitgenössischen Filmemacherinnen, die es verdienten, als Kubricks Erben betrachtet zu werden, und ihre Kontrolle über ihr Werk sei auch in Little Joe nach wie vor überragend. Der Film sei immer in Bewegung, drifte seitlich oder schleiche sich vorwärts, um all die alltägliche Bedrohung zu enthüllen, die dem bloßen Auge entgeht. Der Film brauche nur ein paar Minuten, damit sich der Zuschauer vor einer einfachen Pflanze fürchtet, und so habe er für Gewächshäuser das geleistet, was Psycho für Duschen getan hat. Je weiter der Film voranschreitet, desto lauter werde seine Botschaft, denn Alice, die „Little Joe“ verteidigt, egal wie irrational dies sei, mache Parallelen zu Suchtkranken erkennbar. Ehrlich verweist auch auf die heutige Zeit, in der Schmerzmittel eine der häufigsten Todesursachen in weiten Teilen der Welt sind. Allerdings hätte Hausners Film so viel besser sein können, wenn die gezeigten Figuren eine Bestandsaufnahme ihres persönlichen Glücks gemacht hätten, ohne dieses gleichzeitig zu delegitimieren. [22] Peter Bradshaw vom Guardian meint, der Aufbau sei großartig und es gebe großartige Aufnahmen von Pflanzen in Fußballfeldgröße, die sich unheimlich in dem Hi-Tech-Gewächshaus bewegen wie in einem Dokumentarfilm von Nikolaus Geyrhalter, der ein Meister dieser Art von Tableau entfremdeter Natur sei. Weiter schreibt Bradshaw, dramaturgisch könne der Film nicht überzeugen, und die Schauspieler, die alle sehr talentiert seien, hätten vielleicht nicht klar genug Regieanweisungen bekommen. [7] Einsatz im Schulunterricht [ Bearbeiten | Quelltext bearbeiten] Das Onlineportal empfiehlt den Film für die Unterrichtsfächer Biologie, Englisch, Deutsch, Ethik und Psychologie. Dort schreibt Karl-Leontin Beger, der Film könne im Biologieunterricht Ausgangspunkt für die Beschäftigung mit grüner Gentechnik sein. Ethische Fragen ließen sich hingegen im Politik- und Ethikunterricht vertiefen und damit auch eine Auseinandersetzung über die Folgen des breitflächigen Einsatzes von genetisch verändertem Saatgut in der industriellen Landwirtschaft. Im Deutsch- und Englischunterricht biete es sich an, die filmästhetischen Mittel des Horror- und Sci-Fi-Genres herauszuarbeiten und anhand der Figur der Kollegin Bella die Erfordernisse der Leistungsgesellschaft und ihre Folgen zu diskutieren: „Was ist Glück und wie lässt es sich in der postindustriellen Konsumgesellschaft erlangen? “ Diese Fragen könne im Philosophie- und Religionsunterricht in Hinblick auf Vermarktungsstrategien und Konzepte wie Work-Life-Balance besprochen werden. [23] Auszeichnungen [ Bearbeiten | Quelltext bearbeiten] Internationale Filmfestspiele von Cannes 2019 Auszeichnung als Beste Darstellerin ( Emily Beecham) Nominierung für die Goldene Palme ( Jessica Hausner) Österreichischer Filmpreis 2020 Auszeichnung in der Kategorie Beste Maske ( Heiko Schmidt) Auszeichnung in der Kategorie Bester Schnitt ( Karina Ressler) Auszeichnung in der Kategorie Bestes Szenenbild ( Katharina Wöppermann) Nominierung in der Kategorie Bester Spielfilm ( Bruno Wagner, Bertrand Faivre, Philippe Bober, Martin Gschlacht, Jessica Hausner, Gerardine O'Flynn) Nominierung in der Kategorie Beste Regie ( Jessica Hausner) Nominierung in der Kategorie Bestes Drehbuch (Jessica Hausner) Nominierung in der Kategorie Beste weibliche Darstellerin ( Emily Beecham) Nominierung in der Kategorie Beste weibliche Nebenrolle ( Kerry Fox) Nominierung in der Kategorie Beste Kamera ( Martin Gschlacht) Nominierung in der Kategorie Bestes Kostümbild ( Tanja Hausner) Der Film befand sich zudem in der Vorauswahl für den Europäischen Filmpreis 2019. [24] [25] Synchronisation [ Bearbeiten | Quelltext bearbeiten] Darsteller Synchronsprecher Rolle Emily Beecham Anna Grisebach Alice Woodard Ben Whishaw Tobias Nath Chris Kerry Fox Almut Zydra Bella Kaspar Johann Wollstein Joe Woodard Sebastian Hülk Ivan Andrew Rajan Rainer Fritzsche Jasper David Wilmot Oliver Siebeck Karl Tim Schwarzmaier Ric Weblinks [ Bearbeiten | Quelltext bearbeiten] Little Joe – Glück ist ein Geschäft in der Internet Movie Database (englisch) Little Joe – Glück ist ein Geschäft in der Deutschen Synchronkartei Little Joe – Glück ist ein Geschäft bei crew united Little Joe im Programm der Filmfestspiele von Cannes (englisch) Little Joe – Offizielle Website zum Film von Coop99 Einzelnachweise [ Bearbeiten | Quelltext bearbeiten] ↑ Freigabebescheinigung für Little Joe – Glück ist ein Geschäft. Freiwillige Selbstkontrolle der Filmwirtschaft (PDF; Prüf­nummer: 195335/K). ↑ Little Joe. In: Abgerufen am 3. März 2019. ↑ ↑ a b Hannah Woodhead und Adam Woodward: 25 films we’d like to see at the 2019 Cannes Film Festival. In:, 2. März 2019. ↑ a b Little Joe. In: Abgerufen am 5. März 2019. ↑ Little Joe. März 2019. ↑ a b ↑ Little Joe – Glück ist ein Geschäft bei crew united. Abgerufen am 3. März 2019. ↑ Ben Croll: 'Little Joe' Film Review: Cannes Gets a Horticultural Horror Flick. In:, 17. Mai 2019. ↑ Little Joe. In: Abgerufen am 24. Juli 2019. ↑ Little Joe. In: Abgerufen am 1. August 2019. ↑ Marc Mensch: Viel Neues auf der Filmkunstmesse. In: Blickpunkt:Film, 20. August 2019. ↑ 63rd BFI London Film Festival programme announced. In:, 29. August 2019. ↑ Starttermine Deutschland In: Abgerufen am 21. September 2019. ↑ Little Joe In: Rotten Tomatoes. Abgerufen am 4. Juni 2019. ↑ Ben Dalton: Screen reveals Cannes 2019 jury grid critics. In: Abgerufen am 25. Mai 2019. ↑ David Ehrlich: 'Little Joe' Review: A Horror Film that Dangerously Compares Antidepressants to an Alien Invasion — Cannes. Mai 2019. ↑ Karl-Leontin Beger: Little Joe – Glück ist ein Geschäft. In:, 6. Januar 2020. ↑ Jochen Müller: Lola-Abräumer in Vorauswahl für Europäischen Filmpreis. August 2019. ↑ EFA Feature Film Selection. In: Abgerufen am 20. August 2019.

Watch Stream Little joey. Yeah but sounds like Sonora to me! I grew up w/ musica Norteña in AZ. Watch stream little joe 2. Watch stream little joe youtube. Watch Stream Little joe. Watch stream little joe live. Little Joe Theatrical release poster Directed by Jessica Hausner Produced by Bruno Wagner Bertrand Faivre Philippe Bober Martin Gschlacht Jessica Hausner Gerardine O'Flynn Written by Jessica Hausner Géraldine Bajard Starring Emily Beecham Ben Whishaw Kerry Fox Kit Connor David Wilmot Phénix Brossard Sebastian Hülk Lindsay Duncan Cinematography Martin Gschlacht Edited by Karina Ressler Production company Coop99 Essential Filmproduktion The Bureau Arte BBC Films British Film Institute Distributed by X Verleih AG (Germany) Filmladen (Austria) BFI Distribution (United Kingdom) Release date 17 May 2019 ( Cannes) 1 November 2019 (Austria) 9 January 2020 (Germany) 21 February 2020 (United Kingdom) Running time 105 minutes Country Austria Germany United Kingdom Language English Box office $136, 242 [1] [2] Little Joe is a 2019 internationally co-produced drama film directed by Jessica Hausner. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. At Cannes, Emily Beecham won the award for Best Actress. [3] [4] Beecham stars as Alice Woodard, a plant breeder and single mother who creates "Little Joe", a plant that gives its caretakers joy. Plot [ edit] Alice Woodard ( Emily Beecham) is a plant breeder who works in a lab that focuses on creating new strains of flowers. While her colleague Bella ( Kerry Fox) is failing at creating a hardy plant that will survive even weeks of undernourishment and neglect, Alice and her team have successfully created a flower that requires more care than an ordinary plant but which makes their owners happy. Alice decides to name the plants "Little Joe" in honour of her son and smuggles out one of the plants for him. The Little Joes begin to aggressively pollinate which Alice theorizes is because she has made them sterile. The same day Bella's dog, Bello, goes missing. Chris ( Ben Whishaw) goes looking for him and accidentally inhales some of the pollen. Later on he takes Alice out and despite her obvious reluctance attempts to kiss her twice. The following day Bella finds Bello in the lab. He attacks her and she insists that he has changed. Chris later tells Alice that Bella is mentally ill and had previously attempted suicide before being forced on a year long sabbatical, returning only shortly before Alice began working at the lab. Alice later learns that Bella had Bello put down. Bella tells Alice that the changes to Bello were due to the plant. Alice's son is accidentally pollinated by the plant and begins to act strangely, sneaking his classmate Selma, into the lab and stealing a Little Joe. He later tells Alice that he is considering moving in with his father, Ivan. Bothered by her son's behaviour Alice begins to examine test footage of subjects who have been exposed to the pollen. In every case their family members report that they are acting strangely and have seemed to change since the pollen test. However just as Alice begins to believe Bella's suspicions, Bella is exposed to the pollen herself and dismisses her previous beliefs as paranoia due to her mental issues. Joe reveals that he and Selma stole the plant in order to pollinate Ivan confirming Alice's suspicions her plant carries a virus, especially as she has used unorthodox methods to create Little Joe. However this turns out to be a joke as Chris previously talked to Joe about Alice's concerns. At work Bella reveals that she never inhaled the pollen and was only pretending to be happy in order to blend in with the others; she later tries to commit suicide. After Alice's boss dismisses her concerns she takes matters into her own hands and decides to kill the Little Joes before they are commercialized, lowering the temperature in the lab. She is stopped by Chris who, in trying to prevent her from harming the plant knocks her out on the floor of the lab, exposing her to the plant pollen. Later Alice learns that Little Joe has been nominated for an award meaning that the plant will be sold worldwide. When Chris apologizes for hitting her she kisses him, and later dismisses her concerns as paranoia. She allows Joe to move in with his father and starts a new, happier life with her own Little Joe. Cast [ edit] Emily Beecham as Alice Woodard Ben Whishaw as Chris Kerry Fox as Bella Kit Connor as Joe Woodard David Wilmot as Karl Phénix Brossard as Ric Jason Cloud as Student Sebastian Hülk as Ivan Leanne Best as Brittany Lindsay Duncan as Psychotherapist Goran Kostic Release [ edit] Martin Gschlacht, Jessica Hausner and Bruno Wagner (2020) The film had its world premiere at the Cannes Film Festival on 17 May 2019. [5] [6] [7] Shortly after, Magnolia Pictures and BFI Distribution acquired U. S. and U. K. distribution right to the film. [8] [9] It is scheduled to be released in Austria on 1 November 2019, by Filmladen. [10] in the United States on 6 December 2019, [11] Germany on 9 January 2020, by X Verleih AG, [12] and the United Kingdom on 21 February 2020. [13] Reception [ edit] The review aggregator website Rotten Tomatoes reported that 65% of critics have given the film a positive review based on 82 reviews, with an average rating of 6. 23/10. The site's critics consensus reads: " Little Joe ' s unorthodox approach may baffle horror fans lured in by its premise – but like its title character, the end result exerts a creepy thrall. " [14] On Metacritic, the film has a weighted average score of 59 out of 100 based on 22 critics, indicating "mixed or average reviews". [15] References [ edit] External links [ edit] Little Joe on IMDb.

Unrealistisch. In Deutschland würde diese Pflanze sofort in das Betäubungsmittelgesetz aufgenommen werden. Watch stream little joe lyrics. Antlers is the only one that looks worth spending on, they need to leave The Grudge alone. Sigue Los Pasos De Cristo, Pecador, La Mujer Se Le Respeta, Sea Tuya O De Alguien Mas. Watch stream little joe episodes. Watch Stream Little joe's blog. This is real music not that one you jump up and down to oh hell know the best then the rest. "LOCAL GHOST 'LITTLE JOE' AT IT AGAIN" -Newspaper Article in the Library Little Joe or Joe Shade is a minor charactor, who used to mine during the industrial era of Possum Springs. He is well known for the ghost stories revolving around him. Appearance Joe Shade is a cat, who used to work in the Possum Springs mines. His skull has a small bullet wound near the upper-right corner of the forehead. His final resting place is located in Possum Springs Cemetery. Background Joe Shade used to be a miner in Possum Springs past, who died of "Mysterious Circumstances". It's presumed he was shot, judging by the bullet hole on his head. Newspaper Article During a part of the game where Mae and Bea go to the Library to find evidence of any disappearances by ghosts, they find a newspaper article talking about Little Joe. LOCAL GHOST "LITTLE JOE" AT IT AGAIN "As the school children are quick to inform you, Possum Springs has at least one resident who won't show up on any census survey. "Little Joe", purportedly the ghost of Joe Shade, a miner who died in mysterious circumstances some decades ago, is a favorite spook story of the whimsical and weird members of our community. His most recent activities seem to involve getting up out of his coffin in the old section of Possum Springs Cemetery, and strolling around, unnerving visitors to the largest graveyard in Deep Hollow County. His grave has become a destination for unruly and often destructive local youths, and as such Possum Springs City Council is considering erecting an iron gate to protect the historical tombstones that fill the small hollow where Joe Shade lies buried. Police have also stepped up patrols in the area. So be warned, thrill-seekers! You may not see a ghost, but you may see a fine for trespassing! " Pictures Night in the Woods Characters Major Characters Mae · Bea · Gregg · Angus · Germ Possum Springs Residents Casey Hartley · Candy Borowski · Stan Borowski · Lori Meyers · Selmers · Danny · Mr. Chazokov · Pastor Kate · Bruce · Steve Scriggins · The Harleys · Aunt Molly · Thryy Wyrd Tyyns · Mr. Penderson · Mr. Twigmeyer · Mrs. Miranda · Fisherman Jones · Miss Quelcy · The Janitor · City Council · Smelters Fans · Tunnel Teens · The Cult ( Eide) · Sadie · Saleem · CJ · Dr. Hank · Bill Weird Autumn Characters Miss Rosa · Mr. Salvi · Jen · Germ's Mother · Gramma · Germ's Father · Germ's Uncle Other Characters Bombshell · Crusties · Cole · Deep Hollow Hollerers · Jackie. Little Joe · Mae's Grandfather · Minor Characters · Sharkle. The Sky Cat. Rabies.

2 wins & 16 nominations. See more awards  » Edit Storyline Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a very special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it 'Little Joe' but as it grows, so too does Alice's suspicion that her new creations may not be as harmless as their nickname suggests. Plot Summary | Add Synopsis Taglines: Happiness is a Business Details Release Date: 6 December 2019 (USA) See more  » Box Office Opening Weekend USA: $10, 626, 8 December 2019 Cumulative Worldwide Gross: $157, 492 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Awards: Prix d'Interprétation Féminine: Emily Beecham (Cannes International Film Festival, 2019) Grand Prix du Festival International de Science Fiction Utopiales (Poitiers, 2019) Mention Spéciale du Jury au Festival Européen du Film Fantastique (Strasbourg, 2019). See more » Connections References South Park  (1997) See more » Soundtracks Happiness Business Written, produced and performed by Markus Binder. See more ».

One of the best anti-war movies ever made. Somehow a comedy. Somehow a drama. And about love. I'm touched. It's a reuse of the idea of the movie Invasion of the Body Snatchers, but far from good. It simply replaces the aliens by a genetically modified sterile flower that controls people for it's own survival. Not exactly forward thinking or creative since the idea of nature "finding a way" has been used in the first Jurassic Park, where the use of amphibians DNA to fill the gaps of Dinosaur DNA allowed for mutations to make the animals fertile. So, without fresh ideas or at least a creative approach all that it's left is visuals. And here we get an abuse of colors coordinated with design furniture and architecture with geometrical positioning. In addition, the acting is so wooden and stiff that I'm surprised that the actors were even allowed to used the elbows and knees when moving. There were some "clever" details like the psychologist who tries to control the scientist wearing red flowers in the clothing pattern. And don't get me started with the music. Absolutely distracting and stealing the attention from the movie in a bad way. And this is coming from someone who likes experimental music, some of which many people don't even consider as music.

HOLY SHt. Watch stream little joe wiki. Watch Stream Little joe dassin. Facebook is showing information to help you better understand the purpose of a Page. See actions taken by the people who manage and post content. Page created - September 16, 2019 Happiness is a business. Starring Emily Beecham, winner of the Best Actress Award at the Cannes Film Festival. Little Joe hits theaters on December 6th. It looks like you may be having problems playing this video. If so, please try restarting your browser. Close Little Joe - Official Trailer “A SINISTER DELIGHT” #LittleJoeFilm 🌹 Cannes-award winner Emily Beecham is Alice. Watch her critically-acclaimed performance in #LittleJoeFilm, now in theaters and on demand. 🌹 Not everything is pretty in pink. #LittleJoeFilm is ready to infect a theater near you. Buy tickets or watch on demand now at.

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